Slaves on Screen Film and Historical Vision
People have been experimenting with different ways to write history for 2,500 years, yet we have experimented with film in the same way for only a century.
Noted professor and historian Natalie Zemon Davis, consultant for the film The Return of Martin Guerre, argues that movies can do much more than recreate exciting events and the external look of the past in costumes and sets. Film can show millions of viewers the sentiments, experiences and practices of a group, a period and a place; it can suggest the hidden processes and conflicts of political and family life. And film has the potential to show the past accurately, wedding the concerns of the historian and the filmmaker.
To explore the achievements and flaws of historical films in differing traditions, Davis uses two themes: slavery, and women in political power. She shows how slave resistance and the memory of slavery are represented through such films as Stanley Kubrick's Spartacus, Steven Spielberg's Amistad and Jonathan Demme's Beloved. Then she considers the portrayal of queens from John Ford's Mary of Scotland and Shekhar Kapur's Elizabeth to John Madden's Mrs. Brown and compares them with the cinematic treatments of Eva Peron and Golda Meir.
This visionary book encourages readers to consider history films both appreciatively and critically, while calling historians and filmmakers to a new collaboration.
Noted professor and historian Natalie Zemon Davis, consultant for the film The Return of Martin Guerre, argues that movies can do much more than recreate exciting events and the external look of the past in costumes and sets. Film can show millions of viewers the sentiments, experiences and practices of a group, a period and a place; it can suggest the hidden processes and conflicts of political and family life. And film has the potential to show the past accurately, wedding the concerns of the historian and the filmmaker.
To explore the achievements and flaws of historical films in differing traditions, Davis uses two themes: slavery, and women in political power. She shows how slave resistance and the memory of slavery are represented through such films as Stanley Kubrick's Spartacus, Steven Spielberg's Amistad and Jonathan Demme's Beloved. Then she considers the portrayal of queens from John Ford's Mary of Scotland and Shekhar Kapur's Elizabeth to John Madden's Mrs. Brown and compares them with the cinematic treatments of Eva Peron and Golda Meir.
This visionary book encourages readers to consider history films both appreciatively and critically, while calling historians and filmmakers to a new collaboration.
Performing ArtsFilmHistory & CriticismSocial ScienceSlaveryArt
RELEASED2000
PUBLISHERNational Geographic Books
LENGTH176
LANGUAGEEN
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Natalie Zemon Davis (born November 8, 1928) is a Canadian and American historian of the early modern period. She is currently an Adjunct Professor of History and Anthropology and Professor of Medieval Studies at the University of Toronto in Canada. Her work originally focused on France, but has since broadened to include other parts of Europe, North America, and the Caribbean. For example, her book, Trickster Travels (2006), views Italy, Spain, Morocco and other parts of North Africa and West Africa through the lens of Leo Africanus's pioneering geography. It has appeared in four translations, with three more on the way. Davis' books have all been translated into other languages: twenty-two for The Return of Martin Guerre. She was the second female president of the American Historical Association (the first, Nellie Neilson, was in 1943). She has been awarded the Holberg International Memorial Prize and National Humanities Medal and been named Companion of the Order of Canada. **Source**: [Natalie Zemon Davis](https://en.wikipedia.org/wiki/Natalie_Zemon_Davis) on Wikipedia.
Slaves on Screen Film and Historical Vision
People have been experimenting with different ways to write history for 2,500 years, yet we have experimented with film in the same way for only a century.
Noted professor and historian Natalie Zemon Davis, consultant for the film The Return of Martin Guerre, argues that movies can do much more than recreate exciting events and the external look of the past in costumes and sets. Film can show millions of viewers the sentiments, experiences and practices of a group, a period and a place; it can suggest the hidden processes and conflicts of political and family life. And film has the potential to show the past accurately, wedding the concerns of the historian and the filmmaker.
To explore the achievements and flaws of historical films in differing traditions, Davis uses two themes: slavery, and women in political power. She shows how slave resistance and the memory of slavery are represented through such films as Stanley Kubrick's Spartacus, Steven Spielberg's Amistad and Jonathan Demme's Beloved. Then she considers the portrayal of queens from John Ford's Mary of Scotland and Shekhar Kapur's Elizabeth to John Madden's Mrs. Brown and compares them with the cinematic treatments of Eva Peron and Golda Meir.
This visionary book encourages readers to consider history films both appreciatively and critically, while calling historians and filmmakers to a new collaboration.
Noted professor and historian Natalie Zemon Davis, consultant for the film The Return of Martin Guerre, argues that movies can do much more than recreate exciting events and the external look of the past in costumes and sets. Film can show millions of viewers the sentiments, experiences and practices of a group, a period and a place; it can suggest the hidden processes and conflicts of political and family life. And film has the potential to show the past accurately, wedding the concerns of the historian and the filmmaker.
To explore the achievements and flaws of historical films in differing traditions, Davis uses two themes: slavery, and women in political power. She shows how slave resistance and the memory of slavery are represented through such films as Stanley Kubrick's Spartacus, Steven Spielberg's Amistad and Jonathan Demme's Beloved. Then she considers the portrayal of queens from John Ford's Mary of Scotland and Shekhar Kapur's Elizabeth to John Madden's Mrs. Brown and compares them with the cinematic treatments of Eva Peron and Golda Meir.
This visionary book encourages readers to consider history films both appreciatively and critically, while calling historians and filmmakers to a new collaboration.
Performing ArtsFilmHistory & CriticismSocial ScienceSlaveryArtFilm & Video
RELEASED2000
PUBLISHERNational Geographic Books
LENGTH176
LANGUAGEEN
Natalie Zemon Davis (born November 8, 1928) is a Canadian and American historian of the early modern period. She is currently an Adjunct Professor of History and Anthropology and Professor of Medieval Studies at the University of Toronto in Canada. Her work originally focused on France, but has since broadened to include other parts of Europe, North America, and the Caribbean. For example, her book, Trickster Travels (2006), views Italy, Spain, Morocco and other parts of North Africa and West Africa through the lens of Leo Africanus's pioneering geography. It has appeared in four translations, with three more on the way. Davis' books have all been translated into other languages: twenty-two for The Return of Martin Guerre. She was the second female president of the American Historical Association (the first, Nellie Neilson, was in 1943). She has been awarded the Holberg International Memorial Prize and National Humanities Medal and been named Companion of the Order of Canada. **Source**: [Natalie Zemon Davis](https://en.wikipedia.org/wiki/Natalie_Zemon_Davis) on Wikipedia.
