
by Gail Finney
Gail Finney (Ph.D., University of California, Berkeley) is Professor of Comparative Literature and German at the University of California, Davis, where she teaches courses on 19th- and 20th-century European literature. Previously she taught at Harvard University. The literature of fantasy and the supernatural provides a welcome antidote to her current work on family trauma in contemporary American film. Her books include The Counterfeit Idyll: The Garden Ideal and Social Reality in Nineteenth-Century Fiction, Women in Modern Drama: Freud, Feminism, and European Theater at the Turn of the Century, Look Who's Laughing: Gender and Comedy (ed.), Christa Wolf, and Visual Culture in Twentieth-Century Germany: Text as Spectacle (ed.) In 2007 she received a Distinguished Graduate Teaching Award.

by Gail Finney
Gail Finney (Ph.D., University of California, Berkeley) is Professor of Comparative Literature and German at the University of California, Davis, where she teaches courses on 19th- and 20th-century European literature. Previously she taught at Harvard University. The literature of fantasy and the supernatural provides a welcome antidote to her current work on family trauma in contemporary American film. Her books include The Counterfeit Idyll: The Garden Ideal and Social Reality in Nineteenth-Century Fiction, Women in Modern Drama: Freud, Feminism, and European Theater at the Turn of the Century, Look Who's Laughing: Gender and Comedy (ed.), Christa Wolf, and Visual Culture in Twentieth-Century Germany: Text as Spectacle (ed.) In 2007 she received a Distinguished Graduate Teaching Award.