Conversations with Octavia Butler
Octavia Butler (1947-2006) spent the majority of her prolific career as the only major black female author of science fiction. Winner of both the Nebula and Hugo Awards as well as a MacArthur "genius" grant, the first for a science fiction writer, Butler created worlds that challenged notions of race, sex, gender, and humanity. Whether in the postapocalyptic future of the Parable stories, in the human inability to assimilate change and difference in the Xenogenesis books, or in the destructive sense of superiority in the Patternist series, Butler held up a mirror, reflecting what is beautiful, corrupt, worthwhile, and damning about the world we inhabit. In interviews ranging from 1980 until just before her sudden death in 2006, Conversations with Octavia Butler reveals a writer very much aware of herself as the "rare bird" of science fiction even as she shows frustration with the constant question, "how does it feel to be the only one?" Whether discussing humanity's biological imperatives or the difference between science fiction and fantasy or the plight of the working poor in America, Butler emerges in these interviews as funny, intelligent, complicated, and intensely original. Conseula Francis is associate professor of English and director of African American studies at the College of Charleston. Her work has been published in the Langston Hughes Review.
Biography & AutobiographyWomenLanguage Arts & DisciplinesWritingFiction WritingLiterary Collections
RELEASED2010
PUBLISHERUniversity Press of Mississippi
LENGTH232
LANGUAGEEN
An American science fiction writer, one of the best-known among the few African-American women in the field. [Comment by Tricia Sullivan, on The Guardian][1]: Octavia E Butler (1947–2006) > I was teaching in New York when I came across Octavia E Butler's Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I'd never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-American woman novelist in science fiction. Kindred tells the wrenching and unforgettable story of a young black woman who time-travels and saves the life of her slaveholder ancestor, but it is, in Butler's words, "a grim fantasy", not science fiction. > Beginning in the 1970s, Butler wrote three sequences of novels: the Patternist books, the Lilith's Brood series and the Parable novels (incomplete at her tragic death in 2006). Critically respected, she won the Hugo and Nebula awards, received a Clarke nomination, the PEN lifetime achievement award and a MacArthur Foundation "genius" grant. A serious writer working in a field that is seldom taken seriously, Butler addressed biological control, gender, humanity's relationship with aliens, genetics and even the development of a fictional religion. Her narratives leave space for the reader's involvement while exploring the nature of change. They gaze unflinchingly on power dynamics. "Who will rule? Who will lead? Who will define, refine, confine, design? Who will dominate? All struggles are essentially power struggles," Butler stated, "and most are no more intellectual than two rams knocking their heads together." Butler's writing is courageous, stimulating and infused with a rare purity of intention. Crushingly, she died at the height of her powers. [Bloodchild and Other Stories][2] is a good place to begin discovering her work. [1]: http://www.guardian.co.uk/books/2011/may/14/science-fiction-authors-choice [2]: http://openlibrary.org/works/OL35621W/Bloodchild_and_other_stories
Conversations with Octavia Butler
Octavia Butler (1947-2006) spent the majority of her prolific career as the only major black female author of science fiction. Winner of both the Nebula and Hugo Awards as well as a MacArthur "genius" grant, the first for a science fiction writer, Butler created worlds that challenged notions of race, sex, gender, and humanity. Whether in the postapocalyptic future of the Parable stories, in the human inability to assimilate change and difference in the Xenogenesis books, or in the destructive sense of superiority in the Patternist series, Butler held up a mirror, reflecting what is beautiful, corrupt, worthwhile, and damning about the world we inhabit. In interviews ranging from 1980 until just before her sudden death in 2006, Conversations with Octavia Butler reveals a writer very much aware of herself as the "rare bird" of science fiction even as she shows frustration with the constant question, "how does it feel to be the only one?" Whether discussing humanity's biological imperatives or the difference between science fiction and fantasy or the plight of the working poor in America, Butler emerges in these interviews as funny, intelligent, complicated, and intensely original. Conseula Francis is associate professor of English and director of African American studies at the College of Charleston. Her work has been published in the Langston Hughes Review.
Biography & AutobiographyWomenLanguage Arts & DisciplinesWritingFiction WritingLiterary CollectionsAmericanAfrican American & Black
RELEASED2010
PUBLISHERUniversity Press of Mississippi
LENGTH232
LANGUAGEEN
An American science fiction writer, one of the best-known among the few African-American women in the field. [Comment by Tricia Sullivan, on The Guardian][1]: Octavia E Butler (1947–2006) > I was teaching in New York when I came across Octavia E Butler's Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I'd never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-American woman novelist in science fiction. Kindred tells the wrenching and unforgettable story of a young black woman who time-travels and saves the life of her slaveholder ancestor, but it is, in Butler's words, "a grim fantasy", not science fiction. > Beginning in the 1970s, Butler wrote three sequences of novels: the Patternist books, the Lilith's Brood series and the Parable novels (incomplete at her tragic death in 2006). Critically respected, she won the Hugo and Nebula awards, received a Clarke nomination, the PEN lifetime achievement award and a MacArthur Foundation "genius" grant. A serious writer working in a field that is seldom taken seriously, Butler addressed biological control, gender, humanity's relationship with aliens, genetics and even the development of a fictional religion. Her narratives leave space for the reader's involvement while exploring the nature of change. They gaze unflinchingly on power dynamics. "Who will rule? Who will lead? Who will define, refine, confine, design? Who will dominate? All struggles are essentially power struggles," Butler stated, "and most are no more intellectual than two rams knocking their heads together." Butler's writing is courageous, stimulating and infused with a rare purity of intention. Crushingly, she died at the height of her powers. [Bloodchild and Other Stories][2] is a good place to begin discovering her work. [1]: http://www.guardian.co.uk/books/2011/may/14/science-fiction-authors-choice [2]: http://openlibrary.org/works/OL35621W/Bloodchild_and_other_stories
