3.9
Le Rouge Et Le Noir
by Stendhal
This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare’s finesse to Oscar Wilde’s wit, this unique collection brings together works as diverse and influential as The Pilgrim’s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.
EducationFictionLiterary
RELEASED2001
PUBLISHERMcGraw-Hill/Contemporary
LANGUAGEEN
Stendhal was the pseudonym of the 19th-century French writer Marie-Henri Beyle. Known for his acute analysis of his characters' psychology, he is considered one of the earliest and foremost practitioners of realism in his two novels *Le Rouge et le Noir* (The Red and the Black, 1830) and *La Chartreuse de Parme* (The Charterhouse of Parma, 1839).
3.9
Le Rouge Et Le Noir
by Stendhal
This anthology is a thorough introduction to classic literature for those who have not yet experienced these literary masterworks. For those who have known and loved these works in the past, this is an invitation to reunite with old friends in a fresh new format. From Shakespeare’s finesse to Oscar Wilde’s wit, this unique collection brings together works as diverse and influential as The Pilgrim’s Progress and Othello. As an anthology that invites readers to immerse themselves in the masterpieces of the literary giants, it is must-have addition to any library.
EducationFictionLiterary
RELEASED2001
PUBLISHERMcGraw-Hill/Contemporary
LANGUAGEEN
Stendhal was the pseudonym of the 19th-century French writer Marie-Henri Beyle. Known for his acute analysis of his characters' psychology, he is considered one of the earliest and foremost practitioners of realism in his two novels *Le Rouge et le Noir* (The Red and the Black, 1830) and *La Chartreuse de Parme* (The Charterhouse of Parma, 1839).
